Category: Photography

  • Photographers: What are your fall foliage tips?

    It’s that time of year again in New England:

    A Saturday afternoon drive

    One of my absolute favorite times of year. One of the best photo opportunities during the year for really great photos.

    That said, I’m still a newbie at photography. Yeah, I own a decent amount of gear, but I’m still getting the hang of it.

    Here’s what I’m currently using:

    – Nikon D40
    – Nikkor 18-200mm VR lens (the ultimate walkabout lens!)
    – Nikon SB-600 speed flash with Omnibounce in pocket

    Here’s my question to you, fellow foliage fans and photographers:

    What tips, tricks, locations, and methods do you use for great fall photos that would help a relative newbie? (I know one of them is just play around and try lots of different things, since DSLR “film” is effectively free)

    Please feel free to leave links to your own photos in the comments!

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  • Transmitting Essence in Social Media

    Transmitting Essence in Social Media

    As I continue to learn more about digital photography and graduate from clueless hack with a nice camera to somewhat clueless hack with a nice camera, one of the lessons I’ve learned so far is that very often, representing the whole can be done through representing the essence.

    What the heck does that mean?

    Here’s a few photos from my recent trip to Block Island. The island itself is 6 miles long and conveying a sense of the culture and energy of the island is difficult in whole. Here’s a picture of the beach:

    Block Island 2008

    Tough part is, this is such a broad picture that it could be any beach in the world.

    This photo conveys a lot more about the spirit of the island:

    Block Island 2008

    Notice that it’s using fonts and layout that are reminiscent of a 1950s ice cream shop. Here’s another shot:

    Block Island 2008

    What I’m learning is that sometimes just a picture of something as seemingly inconsequential as a sign in a shop or a wood fence on a dune conveys a lot more feeling about the place than trying to take a giant panoramic photo of it all. The small picture brings out the essence of what’s different about the island, what sets it apart from the thousands of other islands in the Atlantic ocean.

    Likewise, look at your social media efforts. You can try to be as broad as possible, trying to keep up on every network, running around like crazy on every platform, but that ultimately makes you the equivalent a collection of wide-angle, subjectless photos. You see everything but nothing’s interesting. Sure, take a few panoramas at the start, but then dig in and find the essence of the kind of social media experience you want to have, and focus your efforts where you want to be. Find out what’s different.

    If there is one feature that distills the essence of social to you, what is it? That will tell you what network you need to be on. Is it presence? Twitter and its clones. Clubs and groups? Facebook. Exploration of people’s interests, one on one? MySpace. Career-focused, professional networking? LinkedIn. There are plenty of others, and other ways to perceive each of these networks – these are just how I use the properties.

    Pick the conferences and events you want to attend based on the essence of the experience you’ll get out of it. Want a “fishbowl” new media event? Podcasters Across Borders. Want to meet a never-ending flow of new people? PodCamp. Marketing? Look to MarketingProfs. Inspiration? TED. Each conference and event has an essence, and if that essence is what you want, then when it comes to making hard choices about what conference to attend, you’ll have a better idea of where to allocate scarce time and money.

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  • Seriously, what are those guys smoking?

    Reality fail

    Reality is a harsh mistress.

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  • Nikon D40 + iPod Touch Flash Trick

    Occasionally I find myself in environments where I’d like to use the flash because it’s dark, but either I’m so close that the flash will wash out everything, or it’ll give the photo that “frat party photo” feel, neither of which is usually what I’m aiming for. I’ve got a speed flash that can be angled, but I don’t carry it everywhere I go, because at some point I start to look like I need a sherpa. Here’s a fun trick that works almost as well as a real angled flash.

    Nikon + iPod trick

    Take your iPod touch or other iPod out (this won’t work with an iPhone). Turn it around so the mirrored back is facing the flash. Now hold it right in front of the flash at a 45 degree angle and you’ll bounce the flash off the ceiling. Bang! Instant flash reflector, and chances are I’m more likely to have my iPod with me than the speed flash.

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  • A Nikon D40 Conversation

    A Nikon D40 Conversation

    I’ve been asking about the Nikon D40 and accessories on Twitter, and with the number of responses I’ve gotten back, it seemed appropriate to put it on a blog post instead. Here’s what I’ve got on my list of things to add:

    – more memory cards.
    – spare battery.
    – speed light plus omni-bounce
    – 50mm f/1.8 lens
    – 50-200mm VR zoom lens
    – polarizing filter

    The detailed list is here.

    DSLR experts – what would you add? What don’t I need, or what am I overlooking?

    Thanks in advance for all your advice!

  • Farewell, still photographers

    Something struck me tonight as I was taking a screenshot of my Mac. HDTV at 1080p is 1920 x 1080 pixels. That’s roughly two megapixels.

    With 2 megapixels, you can print a reasonably nice 4 x 6 photo at 300 DPI.

    Think about that for a second.

    HDTV. 4 x 6 photo.

    Virtual Fireworks

    What does this mean? It means that the age of the still photographer may be coming to an end, at least in the way that we know it, where you try to click the shutter at just the right moment, in just the right light, to capture just the right photo.

    As technology improves, as video goes from 1080p to higher and higher resolutions, at some point you won’t ever need to worry about clicking the shutter to capture a great photo. You’ll simply open the video stream, find the exact moment in the video that you want to print as a still photo, export that frame, and call it a day. Imagine what that will mean for portrait studios – just tell someone to come in for a minute, make a bunch of faces, have fun, don’t worry about posing, and then after 60 seconds of video or so, go to the studio display, scroll through the video stream, and get the photo you want.

    Where will we be in 10 years? I remember the maximum resolution a consumer could get for reasonably money 10 years ago was 640 x 480 in the Sony Mavica and the Apple Quicktake. Today, you can get a 12 megapixel camera for about the same amount of money – 40 times the resolution. If we’re today at 2 megapixel VIDEO stills, and technology manages the same rate of improvement, we’ll be able to print mural-sized photos from our videos in the next decade.

  • Stabilization equipment for handheld video

    We in new media have enjoyed access to smaller, lighter, less costly equipment as the years have gone by. I remember when my father got our first VHS video camera. It shot at 320 x 240, 30 fps, weighed 17 pounds, sat on your shoulder, and cost a thousand bucks. Today, I carry a small Canon SD130IS and a Nikon DSLR which can crank out HD videos all on its own. The Canon weighs so little that I forget I have it with me half the time.

    The downside of gear this small and light is that it’s extremely unstable. Human hands are not known for stability, and gear that light doesn’t weigh enough (and therefore have enough inertia) to self-stabilize. What to do? Well, some folks have come up with very innovative products to do things like stabilize video or enable hand-held distance pictures. Two such products are Manfrotto’s Fig Rig, and PixPal’s camera extender. The Fig Rig will set you back about 300, and a camera extender another30.

    This, then, is how to do it all on $7.

    First, go to the hardware store and pick up a 5 foot length of PVC, two 90 degree elbows, one 45 degree elbow, one T junction, 2 female-female pipe connectors, 2 1/4″ x 3″ carriage bolts, and 2 wingnuts, 1/4″. You’ll also need a drill with 1/4″ bit and a saw. The pipe can be any width that feels comfortable, but make absolutely sure you buy connecting pieces to fit that width, and buy them all at the same store, since some piping systems are – yes – proprietary.

    Stabilization equipment for handheld video

    Note: the 2 connectors are NOT shown here.

    Start by drilling a hole in the bottom of the T junction. You may want to use a kitchen knife to pare off any bits of plastic left over.

    Stabilization equipment for handheld video

    You’ll also want to drill a hole in the elbow. Aim the drill for the center of where the pipe will be.

    Saw the pipe into 5 equal sections.

    Stabilization equipment for handheld video

    Assemble the pieces as shown below:

    Stabilization equipment for handheld video

    Now attach your camera(s) using the carriage bolt and wingnut. Do NOT overtighten or you’ll wreck your camera. Tighten until the camera doesn’t easily rotate, but not so tight that it won’t budge.

    Stabilization equipment for handheld video

    You’re ready to go. Use the video stabilizer to walk around and shoot video, and the camera extender to take pictures of yourself at a distance.

    Stabilization equipment for handheld video

    Stabilization equipment for handheld video

    The best part of all this is that this all breaks down into small segments and transports easily in a suitcase or backpack.

    Stabilization equipment for handheld video

    And that’s the new media DIY project for the day. And the cost for this project, assuming you already own a drill and saw?

    Stabilization equipment for handheld video


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  • Lessons in photography for realtors and people selling houses

    Lessons in photography for realtors and people selling houses. A few lessons from this weekend.

    1. Use a tripod, always.

    Using a tripod will guarantee blur-free photos. My photos are NOT blur-free because I did not use a tripod.

    2. Learn to use white balance, and turn OFF your flash.

    Here’s the thing about most realtor photos. Most photos are bad, and the number one thing about them is that the lighting is wrong, wrong, wrong. Compare these two photos of the kitchen:

    Why realtors need photographers

    This is with no white balance and a flash. See how dark the cabinets look?

    Why realtors need photographers

    This is with white balance and NO flash.

    White balance is easy – point the lens at a white object in the room (a wall) and use it to set the lighting levels.

    If you use a tripod, you can avoid using a flash, and that’s a HUGE benefit because it shows the rooms as they’re actually lit, if not a little brighter. Using a flash also tends to throw photos towards the blue end of the lighting spectrum, which feels cold. Most of the time, in most house photos, you want to go for warm, and that means tripod, no flash.

    3. Learn the rule of thirds.

    Why realtors need photographers

    Simply put, if you shoot a room square on, you end up with flat, dimensionless photos that don’t give a feel or sense of space.

    The rule of thirds is well explained in this wikipedia article.

    Why realtors need photographers

    4. Shoot from hip level or non-traditional angles.

    Why realtors need photographers

    Nothing will make a house feel smaller than shooting from eye level, or higher. Shoot from hip level, low level, or unusual angles to capture more of a sense of space in the house. Sure, you’ll have to adjust your tripod and bend over to take the shot, but the result is WORTH it.

    Bottom line: more and more people are browsing on the Internet. Those few digital snaps you take can either entice a prospective buyer, or turn them off entirely. How many sales are you losing with bad photos and you don’t even know about it?

  • New Media Realty

    Two sets of people are selling their houses right now – my parents, and C.C. Chapman‘s family. Being the new media nerd I am, it got me thinking – how would we apply the tools of new media to real estate? I was going for a walk tonight with my wife, and we walked by a house that was for sale, as so many are these days. One thing that caught my eye was that instead of the traditional placard where a realtor’s name was, there was instead a domain name, which I thought was pretty clever.

    Of course, one look at the web site and it looks like Flickr had an accident on the way to the toilet, but the branding of the property as the domain name was a good idea.

    What tools do we have at our disposal for helping to sell a house when we really want to? Your average realtor, no slight on the profession, doesn’t have the time or history to be able to explore and understand a property beyond its most superficial characteristics, which is why the descriptions of real estate listings are repetitively bland and uninspiring.

    So let’s play a bit with some new media tools and a house listing. Since I don’t know if C.C.’s house is listed, nor do I have his permission to reveal where he lives, we’ll work with my parents’ house. I went out to GoDaddy and bought 15CambridgeDrive.com (use code HASH3 for $2 off) and will repoint it to this blog post tomorrow when DNS finishes updating.

    Suppose you want to know more about 15 Cambridge Drive, Annandale, NJ. A Google Map to get there might be nice. If you’re a Google Earth user, I might include a Google Earth KML bookmark.

    Without an appointment, obviously you’re constrained to just drive by, but you can schedule an appointment with realtor Beverly Attinson.

    Office: (908) 735-8140
    Fax: (908) 735-8372
    Mobile: (908) 578-3902
    Email: Link here

    To see the MLS listing, visit MLS Listing ID 2397426 in New Jersey.

    The house is for sale at $619,900. A quick check on Zillow shows not enough data beyond a tax assessor’s estimate, but that price is definitely in the ballpark for the area.

    Now, let’s get into some actual media. If I were still living there, I’d obviously go shoot some video, but we have to make do with the photos on the realtor web site. Where new media can shine is to tell the story behind the story. I’d probably create an MP3 that prospective buyers could listen to on an iPod as they walked through the house, but text will do for now. I’d also have key selections of podsafe music loaded up as interludes for people to listen to as well – probably a hefty dose of Rob Costlow, since it’s that kind of house.

    New Media Realty 13

    The front of the property is a nice, well manicured lawn. Realtors will call it well cared for, and I will call it 45 minutes to an hour to mow with a push mower. The front lawn is fun to play on, and the street, Cambridge Drive, is really quiet, quiet enough that it’d be mostly safe for your kids to play on the lawn safely except maybe during rush hour. The house is located in suburbia, so most everyone commutes to other parts of New Jersey or New York City.

    New Media Realty 14

    The living room. My parents have always kept this room as a more formal sitting room – there’s an equally large family room on the other side of the wall, just past the stairs, where we’ve always had the TV and sofa set that us kids were allowed to sit on. The living room is BRIGHT in the mornings – full southern sun, so if you want a warm place to sit and read, this is the place.

    New Media Realty 15

    This picture of the kitchen kind of sucks. It shows the eat in kitchen, but it doesn’t show the tremendous amount of cabinet and countertop space. Growing up, we’d always sit on the counters and get yelled at for the same, but the kitchen food prep area itself is really fantastic. The table in the background there is where we had dinner every night without fail, for as long as I can remember living in the house until I left home for good. It was and still is the hub of the house, as it’s centrally located on the first floor and almost every room opens into the kitchen area. I truly believe that one of the reasons we had such a social family growing up was the fact that the kitchen made it easy for us to always run into each other, sometimes literally. (of course, when you were a teenager who was in trouble, trying to avoid your parents, it’s not so optimal…)

    New Media Realty 16

    This is the sun porch, probably the crown jewel of the downstairs. This is a three season porch that is fully glassed in – if you wanted to make it four season, you could by opening the kitchen ducts to it, but we never saw the need to do that. The sun porch, which we always called the deck, looks out on the heavily wooded backyard, where we have several birdfeeders hanging from trees. My brother and I would have legos and Construx scattered across the floor from as soon as it was warm enough to open the room for good (usually April) until it got really cold (right after Halloween), and we’d play in there all the time. The deck is right off the kitchen, which also made it easy for my mom to keep tabs on us and make sure we weren’t getting into too much trouble. There’s a sliding glass door behind the camera’s point of view that opens to the rear of the house, so we could run outside if we wanted to.

    New Media Realty 17

    Another less than perfect realtor picture of the master bedroom. I rarely spent time in there, since it was mom and dad’s bedroom, but it’s big. Really, really big. Cathedral ceilings with exposed beams, and room for just about anything. There’s also a walk in closet and full bath you can’t see behind the camera. When we got older, we always took showers in the bathroom in the master bedroom, because it was the nicest shower – glass with the massage showerhead and all that.

    New Media Realty 18

    Another weird picture. This is above the garage. Used to be a walk in attic until I was… I think maybe 10 years old. I can’t remember. My parents had the walk in attic converted to a sort of home office, but this room was more than that. Two skylights and those oversize, overstuffed recliners meant the perfect place in the house to read, relax, and more often than not, fall asleep in the middle of the afternoon. The best time, actually, was when it was raining – the sound of rain on the glass skylights inevitably meant nap time. Even when I was home from college, visiting, I’d fall asleep in the attic room.

    Where realty often falls short is that it doesn’t tell the story behind the house. Realtors try to make a house as generic as possible, to create as much broad appeal as possible, but when you think about it, that also makes it difficult to emotionally connect to it. As Ze Frank says, which has stronger appeal – Grandma’s cookies, or old people’s cookies?

    I honestly look forward to seeing what C.C. Chapman does to sell his house, as he has so many new media tools at his disposal. This blog post is really a pale imitation of what you can do with new media, as it’s just words and static photos. Ultimately, I think new media has the potential to transform realty from just a mere transaction to an emotional experience, and that may help to sell houses in a tough market.

    C.C., what do you think?

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