Search results for: “feed”

  • The Revocation of PodCamp Rule Four

    The Revocation of PodCamp Rule Four

    In the beginning, there were seven rules of BarCamp.

    1st Rule: You do talk/blog about BarCamp. (this later broke into two separate rules)
    2nd Rule: If you want to present, you must write your topic and name in a presentation slot.
    3rd Rule: Only three word intros.
    4th Rule: As many presentations at a time as facilities allow for.
    5th Rule: No pre-scheduled presentations, no tourists.
    6th Rule: Presentations will go on as long as they have to or until they run into another presentation slot.
    7th Rule: If this is your first time at BarCamp, you HAVE to present.

    PodCamp Boston 1 changed a lot of these rules, as Chris Brogan and I found at least at BarCamp Boston that they either weren’t adhered to or they made people unnecessarily uncomfortable, particularly rules 5 and 7.

    The rules of PodCamp evolved to:

    1. All attendees must be treated equally.
    2. All content must be released under Creative Commons.
    3. All attendees must be allowed to participate.
    4. All sessions and events must be free of charge to attend.
    5. All sessions must obey the Law of 2 Feet.
    6. The event must be new-media focused.
    7. The financials must be fully disclosed in an open ledger.

    At PodCamp Boston 2, rule 4 was revoked.

    1. All attendees must be treated equally.
    2. All content must be released under Creative Commons.
    3. All attendees must be allowed to participate.

    5. All sessions must obey the Law of 2 Feet.
    6. The event must be new-media focused.
    7. The financials must be fully disclosed in an open ledger.

    Our reasoning for the revocation of rule 4 is based on feedback from the session on PodCamp Retrospective and Prospective: Where Do We Go From Here, as well as the hallway session on the state of new media, plus healthy discussions with folks throughout the weekend.

    Some additional numbers and facts:

    1,357 people registered for PodCamp Boston 2 (sponsored by VON, thank you!)
    Approximately 650 attended, or 52.1% no show rate.

    212 people registered for the Saturday night party.
    Virtually all plus an additional 25 at the door actually attended (paying 20 cash), making for almost zero no-show rate, even with a9.99 expense coverage fee.

    To give you some additional perspective, 1,036 shirts were printed (paid for by Foneshow, thank you!), as well as 1,200 name badges, 1,500 lanyards, etc. The name badges are headed straight for a recycling center; the lanyards don’t take up much space and will be stuffed in my office at the Student Loan Network. The shirts are likely to head either to Father Bill’s Day Shelter or Pine Street Inn for dispersal to the homeless.

    Each of those things cost money and generated overage which has a financial and environmental impact.

    Some final, more personal numbers. PodCamp Boston organization really ramped up in June of this year for me. For 3 – 5 hours per night (more on the weekends, and more as the event got closer), PodCamp Boston -was- my life. Just about everything outside of work and family took a major hit in order to gather the resources, people, and materials to make it happen. 147 days, or about 90 work-days’ time (assuming 8 hour days) to make it happen, and that’s just my time, not counting the other organizers who busted their asses to make it happen.

    Why was rule 4 revoked, and what does it mean?

    Rule 4 was revoked to give PodCamp organizers more freedom, more choice, and more options for how they want their events to be run, and how they want to deal with the very real and tangible costs of operating an event.

    Rule 4 also gives organizers a way to encourage commitment to the events that they work relentlessly to create.

    Before the firestorm really gets going, here’s what rule 4’s elimination does NOT mean:

    – PodCamp organizers are not required to charge money. They are given the option to do so.
    – PodCamp organizers do not have to sell tickets. A variety of commitment mechanisms have been discussed, such as a refundable deposit paid back to attendees after the event begins.
    – PodCamp organizers do not have to have a set price. Something as simple as “pay what you think it’s worth, as long as it’s greater than 1 cent” might be effective.
    – PodCamp does not need to become a formal conference, such as the excellent VON and Video on the Net conferences.

    Rule 4’s revocation may significantly reduce the number of people who no-show for a PodCamp should organizers choose to charge money, and that’s not a bad thing at all. I’d rather sit in a small room with 100 committed, smart people and jam together than be in a convention center the size of an aircraft carrier with 1,200 people, half of whom are there because there’s nothing more exciting to do on that weekend in town.

    Rule 4’s revocation is no more written in stone than the original was, either. If there’s a case where organizers of a PodCamp behave badly, Chris Brogan and I reserve the right to reinstate it.

    Laura Fitton said it best in a discussion thread on CC Chapman‘s blog:

    The event isn’t, and from what little I understand, never was FREE. In a way, no event ever is. It is subsidized by sponsors and by volunteer hours. You attend for free, because somebody else paid your way. Simple as that.

    A final thought. BarCamp, the event by which many compare PodCamp, has in its rules many things, but no requirement that organizers make it free.

    The problem posed to the community is this:

    How do you reduce the number of no-shows (52.1% attendees, 10% presenters) to under, let’s say, 10%? Solutions and discussions welcome.

  • The Horseradish of Julien Smith

    “To a worm in horseradish, the world is horseradish.”
    – Yiddish idiom

    Julien Smith writes about the implied violence in rap music and real violence:

    when this implied (though explicit) violence turns to real violence, we all of a sudden switch from being really impressed to being horrified.

    Why?

    This is an important question, because there’s a serious disconnect between media and reality – in both mainstream media and new media. The disconnect is even more powerful in new media because of its intimate nature.

    Why are people impressed with media violence? Media violence feeds on human flaws, human weaknesses. Male egos – and I fully and wholly admit to being an American guy with an American guy ego – have been trained since birth to believe that manliness and masculinity requires physical domination of someone else. That may even be hardwired into us, as evidenced by ten thousand years of nearly constant war. We believe that to be a man has violent implications, and the media, in its perfectly rational quest to sell more stuff (ads, merchandise, etc.) serves up things that reinforce our existing views.

    Think about it for a second. Why do newspapers serve up bad news? Why are so many forms of media infused with sex and violence? Because they sell. They sell, sell, sell, and if you’re the recipient of the money machine, you want it to keep cranking out money for you, even at the expense of the society you live in.

    Here’s the catch. Violence begets violence. Yes, it’s trite, it’s cliche, but it’s also very true. If you surround yourself with violent images and sounds, if you immerse yourself in violence ideas, words, and actions, you will act violently. You program your mind every time you pop the earbuds in, every time you turn on the TV or fire up the browser or boot up iTunes. When you need to solve a problem, your mind draws upon its knowledge like a carpenter opening up a toolbox. If the majority of your mind’s resources are based in violence, it should be no surprise to anyone that you resort to violent solutions to problems. As the expression goes, the world is horseradish to you.

    It’s amusing, in a dark sort of way, that our culture will spend billions of dollars and countless, obsessive hours on what we put in our mouths, but we give no thought to what we put in our minds.

    New media is doubly important in this respect. When you produce a podcast, a blog, or another form of consumable media, you have an intimate relationship with your audience. The earbuds and the iPod-sized screen require focus. I know lots of people who leave the TV on in the background but comparatively few who turn YouTube on in the background. New media asks and receives focus from the people who enjoy it – and because they’re focused on it, their minds are automatically more receptive to what they’re listening to, reading, or watching than traditional media. This means that new media producers have that much more influence over their audiences and that much more influence in the audience’s lives.

    If you produce new media, think carefully about what you produce. When you turn on the mic or uncap the lens, how are you going to change lives?

  • Podsafe Musicians – Mobilize Your Fan Reviews!

    Podsafe Musicians – Mobilize Your Fan Reviews!

    Are you a podsafe musician with rabid fans? Getting your fans to review your albums in iTunes is now more important than ever with the release of My iTunes from Apple. My iTunes is an Apple-branded widget that provides one click access to albums and reviews and can be put on social networks, web pages, and any place that accepts Flash embedded content. Here’s my reviews in iTunes so far:

    My iTunes supports fan purchases, fan favorites, and fan reviews – and I would argue that fan reviews are probably going to be the strongest of the three in terms of converting visitors to buyers, so you may want to encourage your fans to review your albums and then put up the widgets on their sites.What does this mean for you? In addition to getting fans to review your albums, these widgets can potentially multiply the number of people who click on buy-ready links to your albums in iTunes, bringing extra buyers to the digital content. Because it’s Flash-based, there’s no search engine optimization benefit, but having a nice looking widget that’s ready to go and ties into the world’s largest online music store is a sure win for podsafe artists. Most importantly, because it’ll be displayed primarily by fans of your music (as opposed to you), there’s more credibility in recommendations from a third party, which goes a long way.

    What To Do Next

    1. Hit up your mailing lists and ask fans to write reviews of your album(s).
    2. Once you see reviews appearing, ping those fans who respond and ask them about widgetizing their reviews.
    3. Potentially offer them something in exchange for widget placement.

    If you’re not in iTunes, get there. Services like CD Baby and IODA Promonet will get you there, and while you’ll probably net between 59 and 79 cents on the dollar, it’s better than not getting those sales at all.

  • The Mother of All Pingbacks

    Working off an idea from John Wall and David Meerman Scott, here’s a massive list of everyone who has left me a comment on my blog (or in some cases, a pingback). This list was compiled from the MySQL database that powers my WordPress blog, with the query:

    SELECT DISTINCT `comment_author` , `comment_author_url`
    FROM csp891_comments
    ORDER BY `comment_author` ASC

    I stuffed the output into Excel, did a little cleanup, and here we are. Thanks to everyone who has participated in the past few months to make this blog what it is.

    Updated: The DoFollow Plugin is also enabled. Google Juice for everyone!

  • Block Harry Potter and the Deathly Hollows Spoilers on Twitter with Pipes

    A few friends have expressed concern that some spoilers from Harry Potter 7 would find their way to Twitter. After all, the book is already available (illegally) for download online, and lots of spoilers are floating around everywhere. For fans who want to remain unspoiled, a media blackout may seem like the only option, even on “friend” networks like Twitter. Happily, you don’t have to go dark on Twitter entirely – just use Yahoo Pipes to filter out spoilers.

    If you want to remain unspoiled, switch to reading Twitter only on Google Reader, but filter it through Yahoo Pipes first with these settings:

    Block Harry Potter spoilers with Pipes

    This will eliminate most of the keywords that would be used in a spoiler. Obviously, tweak and add your own.

    1. Copy your Twitter RSS feed URL (it’s at the bottom of your twitter list)
    2. Paste into Yahoo Pipes Feed Source.
    3. Add a filter.
    4. Block any items containing the terms you specify. I recommend a list of characters like Voldemort, Hermione, Severus Snape, Harry Potter, etc. as well as terms like spoiler, spoilers, preview, plot summary, etc.
    5. Copy the exported RSS feed to your Google Reader.
    6. Use an applet like TwitterPost or Twitter from the command line to send Tweets without having to read the Twitterstream.

    Good luck, and good reading!

  • I Want Different Podcast Awards

    The Podcast Awards must be happening. In the past 24 hours, I’ve gotten 12 emails, over 40 bulletins on MySpace, and on virtually every other channel you can reach out to your audience with, I’ve had fellow podcasters begging, pleading, and pimping for votes for the 2007 Podcast Awards.

    Now, don’t get me wrong. If my day job podcast, the Financial Aid Podcast, were to win an award, cool. More stuff for the resume, etc. As a prize, you know what I would want?

    A PR Newswire US ENT-N1 press release, a promo on every nominated show, AND $500 in Google Adwords credits that I could use to build new audience. Here’s the thing I don’t like about the Podcast Awards – and believe me, it’s no dig on Todd Cochrane or the Podcast Connect folks, who do a great job with the awards – but the Podcast Awards are a fishbowl decoration.

    What do I mean? To quote PodCamp co-founder and partner Chris Brogan, they’re an internal thing to the podcasting community, news inside the fishbowl, inside the echo chamber. Show the award to anyone deep inside the podcasting community, and they’ll know of it at the least (particularly if they’re friends of the winner on MySpace and got the same bulletin 6 times in 30 minutes). Show the award to the average passerby on Fifth Avenue or Ghirardelli Square or Faneuil Hall, and they’ll look at you very, very blankly, and probably mutter something polite as they run away from you.

    What would be cool is if the Podcast Awards, or an award like it, had some of the values that I think are so essential to new media built right into them, the same values we try to build into PodCamp – transparency, openness, and most of all, outreach to people who are just getting into podcasting or are thinking about jumping in. What would that look like?

    Well, for starters, nominees would need to provide a data set to the awards committee – statistics for a minimum of 3 months from two different, unaffiliated data sources. They could be Libsyn stats combined with Feedburner numbers, or Blubrry info combined with Podshow PDN info, or Apache weblogs and Kiptronic data. Whatever the numbers are you’d submit as an award participant, you’d agree to have them published publicly, because transparency is the key to fairness.

    What would the judges be looking for?

    – Largest audience. That’s a good metric. Measure a 30 day running average based on downloads per unique IP address.
    – Most improved audience. A show that went from 10 listeners/viewers to 10,000 listeners in 3 months would be a huge gain. Again, downloads per unique IP address.
    – Most diverse audience. Take a look at your web logs. I’d bet you that you don’t have a giant long tail of referrers in it. Suppose a show had referring site links – inbound links – from over 10,000 different web sites? That’d be some definite outreach (for the record, Bum Rush the Charts had about 13,000 referring sites at peak).
    – One subjective award to the person or persons who’ve done the most to bring in new listeners to the podcasting community – not to your show, but to podcasting in general.

    As part of the award acceptance, the winners would need to provide details on how they achieved their accomplishments, and suggestions for others to help them grow their audiences, too.

    Podcasting is practically self-selling – free, legal music, infinite choice in subject matter (and quality), unique perspectives on issues, and everything under the sun. More variety than Clear Channel’s swill, and it keeps the ol’ iPod fresh instead of shuffling the same library over and over again. However, podcasting needs to get people involved into at least one show – and then the listener will likely get curious about what ELSE is available. But you have to get them exposed to that one show first.

    Outreach. Distribution. These are what podcasting is missing right now in a systematic fashion, and these are our Dip (Seth Godin, thank you) that we must overcome in order to make this podcasting phenomenon more than a passing fad.

    So what do you say? Should we have the Podcasting Outreach Awards?

  • Nokia Podcasting on the N91 Handset

    Nokia Podcasting on the N91 Handset

    System: 2.20
    Software: Podcatching Client 1.00.3 SIS

    Here’s what I’ve discovered after having a Nokia N91 for 48 hours…

    Risto K. from Nokia flat out said at PodCamp Europe that the only directory Nokia *searches* for podcasts is DigitalPodcast.com. Make sure your show is listed in there.

    Joe Carpenter from Podshow asked about Podshow’s directory listings. Unfortunately for Podshow, they’ve changed the lineup quite a bit in 1.00.3. Here’s a series of screenshots to get to the directories.

    Directories:

    Podcasting on the Nokia N91

    Featured Podcasts:

    Podcasting on the Nokia N91

    Recommended:

    Podcasting on the Nokia N91

    Currently, Blubrry tops the stack in the 1.00.3 release of the client.

    More importantly for podcasters, think VERY carefully about how you do your ID3 tags and show titles. This is how much room you get on the N91 for your show titles:

    Podcasting on the Nokia N91

    I definitely recommend making a short tag that you can glance at to see which show you’re on.

    Finally, OPML support for podcasts in the browser on the phone is non-existent. When you click on an OPML file, it tries to load it into a text-based feedreader. If anyone from Nokia is reading, how do I set up one-click OPML to Podcatcher on the N series?

    Other tidbit: if you have direct MP3 links on your show notes/blog page, the N91 will download the MP3 file to the music folder, so make sure you’ve got direct links. Between the iPhone and the N-series, direct MP3 links are the currency of the mobile realm for the time being.

    Special thanks to CC Chapman for giving me the N91 to experiment with.

  • Chris Brogan Must Make His Brain API-Aware

    Chris Brogan Must Make His Brain API-Aware

    One of the slides in my presentation about derivative thinking is the black box slide. You don’t care what’s in the box – you know what comes in and what goes out, and that’s all that matters. The contents of the box, as long as they work reliably, can be invisible or opaque.

    This is the essence of an API. You don’t know what’s going on behind the scenes. You do know that reliably, when you put beef in the machine, burger comes out. You know that when you hit send on your end, data appears at the destination location, but what happens in between here and there isn’t important.

    Black box API thinking is one of the skills that I promote. You don’t care what something does, you just care that it does it. Then you start bonding things together, a bit like Legos from our childhood. Building block by building block, you assemble the pieces together in different combinations to yield powerful tools.

    So when I say I want a project lead, this isn’t a job. It’s not a technology (though it could be). I want someone to volunteer their blog, a sliver of their focus, a fraction of their time, and some of their interviewing skills to finding out whether the existing social media tools, when harnessed and dashboarded, might make some kind of formidable tool in the world of drawing attention, establishing a relationship, and then driving part of the relationship’s actions towards an outcome.

    When you have a pile of tools, examine what they do, learn what they do singularly, and then start plugging one into another to derive greater powers. Plug Feedblitz into WordPress, plug MySQLAdmin into both of those, then plug MySQLAdmin to LinkedIn to get a cleaned list of people. Suddenly, each individual tool’s powers are magnified.

    The thing Chris is looking for isn’t a technology or even a project lead. He’s looking for someone who can combine tools into great powers.

    What tools in your toolbox do you have that can be bonded together to make even more powerful tools?

  • Podcasting is missing half a million in Europe

    We as podcasters may be missing half a million or more audience members, and we don’t even know it.

    Here’s the thing I noticed all over Stockholm, and other European PodCampers confirmed in other countries – there were an awful lot of people listening. They had headphones jacked into devices all over the place.

    FEW of those devices were iPods. Of the ones that were MP3 players, the iRiver T series seemed to be the player of choice.

    For every MP3 player I saw, I saw 10 mobile phones being used as media devices. Mobile phones that were spinning up music, content, and everything primarily from telco carriers.

    I also learned that there are an awful lot of handsets equipped to be able to listen to podcasts – most of the Nokia N and E series phones supposedly can – and that the only thing missing is a way to get the listener to subscribe easily. Right now, asking the user to key in an RSS feed is far below optimal, but if we can figure out a way to get one click subscribe working on those handsets, then podcasts can join the music on headphones everywhere.

    If you had the opportunity to have your show – audio or video – on half a million more devices, to half a million more listeners, would you? And how much would that be worth to your show?

  • I don't care about podcast demographics and neither should you

    Okay, that’s not strictly true, but it is true that podcast demographics aren’t terribly important to me for the purposes of audience building. Why? Because this is new media, not broadcast media. What’s the difference?

    In broadcast media, you send out a message to your target audience and hope there’s enough relevant people in that database that some of them take action and buy your product or service. Broadcast marketers tend not to give a rat’s ass about feedback unless it involves a lawsuit; the only feedback they want to hear is the ringing of the cash register.

    In new media, you send out a message to people who want to hear from you. Not only do they want to hear from you, they want to talk to you and each other, and if you do your job well as a new media creator, they’ll want to talk to lots of other people about your media. Here’s the thing. Except for the highest profile people like the Scobles and Pirillos of the world, it’s very hard to quickly make a judgement call on who is an influencer and who is not. Thus, either you spend a crapload of time researching everyone carefully in your database, or you treat everyone like an influencer.

    That’s the secret that broadcast marketers are missing. For example, with my show, the Financial Aid Podcast, a broadcast marketer would say, okay, the audience is students, so specifically market and target 18 – 21 year old American students. If a listener who is a 33 year old parent of an 8 year old and a 5 year old, broadcast marketing tactics would say completely ignore that person, because they have no sales potential.

    However, that broadcast marketer is going to miss the fact that said parent has their own podcast with thousands of listeners, and a positive mention of your show could instantly add 10% more audience to your own show. New media marketers understand this one fundamental tenet (which is also a Buddhist one):

    Everyone is connected.

    In your marketing efforts, step back and think about your audience, whether you’re a broadcast marketer or a new media marketer. Are you excluding a group of people from your market segmentations – and if you are, who do they know that you’re no longer able to reach? If you have advertising on your podcast – do your advertisers understand that demographics are less important than word of mouth and influence?

    Edit: I’m clarifying this post to mean demographics shouldn’t matter as much for your audience building efforts as a podcaster. The subsequent post will explain why they’re still relevant to advertisers.

Pin It on Pinterest